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But it couldn’t be their time forever. Last summer’s Carling Weekend was to be the scene of their celebrated return to the UK after a year’s hiatus (journalist-speak for ‘break’).
Only thing was, there was another group of hairy men playing that weekend who also liked to stand on their amps and pull aSpinal Tap/a poses. Only these new kids’ amps were louder, their vocals higher, their trousers tighter and their tunes better. So aThe Darkness/a won the day and became billion-selling rock arseholes, The Datsuns went quiet and the rest was, until now, history. In reality, The Datsuns’ second album couldn’t be better timed; with pull aThe Darkness/a currently busy cracking America and fan-bashing in LA, the coast is clear for them to regain their title as kings of ferociously dumb-shit, brilliant gonzo-rock. Only thing is, they’ve gone and made their ‘serious’ album instead.
From ‘Outta Sight/Outta Mind”s subdued colour-tinted cover (which gives more than a knowing nod to aVon Bondies/a’s ‘Houses Of The Holy’) to the fact that it’s been produced by the Zep’s token boring member, John Paul Jones, this album feels more like an education than a party. Limping off with joyless single, ‘Blacken My Thumb’, it takes until track four (‘Messin’ Around’) to stumble onto anything resembling their trademark, city-flattening riffs of old, and even then it’s just the same one they used on ‘MF From Hell’ two years ago. It’s not like they’ve put all their energy into the kind of slutty guitar solos that rocket-powered ‘The Datsuns’ either – the best we get is a very meagre 22 seconds of shameless excess in the middle of ‘Get Up!
(Don’t Fight It)’. Obviously this is still the same band, it’s just that now their preoccupation with ’70s British metal finds them wandering dangerously into goblin-and-ghouls prog-rock territory – as in the theatrical interlude of ‘Girls Best Friend’. There are, of course, still some hilarious moments. Like the sexy/sexist line from ‘What I’ve Lost’ that goes, I”You see that girl, she’s got a pretty face and all/Sometimes the call of the wild can make you feel so criminal”/I.
Well, hilarious in light of Dolf’s recent comments (see the interview on page 36) that the lyrics on this record are “better” than on the last one. OK, it’s not that this album is terrible, it’s just that it’s a terrible letdown and all the best tunes (‘Messin’ Around’, ‘Hong Kong Fury’, ‘You Can’t Find Me’) are nicked off a/a. Who were their backing singers last time round.
Outta time, more like. Krissi Murison.